I admit I'm fascinated with myth. Every time I paint I create a myth about what the story is behind the image. How can you not create a history for your artwork. This means that over my life I look for reasons that perhaps are not within the realm of probability but at times something more supernatural. This doesn't mean that I wholeheartedly grasp every fabulous story. I'm a skeptic about ghosts, fairies, elementals that haunt gardens and the Loch Ness Monsters. Having said that I also keep an open mind - who am I to say that things don't exist or aren't really here. Maybe there are fairies and I'm not lucky enough to have the perception of seeing them. I really wish I could.
In my life I have seen a few things that rationally I cannot explain. Mysterious things that now, after many years past the experience, I have made it into a legend or improvised a rational image to the improbable story. That super- rationale experience has caused me to gather as much information as I can in order to find out the myth or the truth of what I saw and dealt with. In keeping with this is the whole concept of synchronicity that tries to explain the phenomenon of unexplained connected items popping up. I get interested in some aspect and suddenly I find references springing up everywhere. Take for instance the recent interest in fox- maidens. So I start playing this game over the summer that has a sub race of women who are fox maidens. A friend sends me a card I receive in the mail of a fox dressed in a kimono. I get a recommendation to read a series of books by Christopher Golden in which one of the supporting characters is name Kitsune, the Japanese name for the fox-maiden in the mythology of Japan. I go through my hodgepodge of a library to find some information on coyotes and next to it is a book I bought and forgot on foxes.
All this leads me to start working on art that has to do with foxes and fox-maidens because they are such an odd point of Japanese myth. Here are animals that are able to become human in appearance, marry and bear children with humans, only to be treated as an embarrassment to the humans involved. In fact if a man marries a fox-maiden, he's treated with respect but his wife not so much. If she dies or goes back to being a fox, his village and townspeople just act like he never was married or his wife just didn't exist. Poor fox.
So this whole idea has started me on a mission to develop artwork based on fox-maidens and my own slowly developing mindset on them. I think they are much maligned. After all they are a cousin to Coyote, nothing less than an important trickster in north american myth. I really feel like perhaps, fox maidens want to fall in love with a human so that they can be loved and thereby get a soul.
Tuesday, September 29, 2009
Thursday, September 17, 2009
Morning sky

Sometimes I get lucky with my beat up old digital and find a picture I really like. I've been exploring my neighborhood looking for shots of things I take for granted. One morning I remembered to bring the camera and while I was standing and waiting for the bus, I got a shot of clouds.
I did something I didn't think I'd do and that is I removed an entry because of someone's remarks. I' m not upset about the remarks, just the fact that the person missed the whole point of my note. I'll repost it after I tinker with it a bit.
Thursday, July 30, 2009
Words
Sitting on the bus this morning and was talking to the bus driver, Darleen. About this and that. I'd been taking a different bus from the one she drives so we spent the time catching up, an activity that allowed me to reflect on the fact that friends come in different shapes and sizes and every person you meet has the potential of being a friend - or not.
In thinking this, the word "profundity" came into my mind for no apparent reason. I certainly don't think of myself as profound, rather just an ordinary person. But then I realized that people aren't ordinary, each is capable of being interesting and of teaching you something about the world and about yourself. And that is when I thought of the word "profound". Each person in the world can simply be described as "profound".
According to the Oxford English Dictionary, the word, profundity, is a noun meaning, "1. a. The quality of being deep; great or vast depth. b. A very deep place, an abyss; the deepest part or parts of something. Also fig. Now rare.c . Downward or inward measurement or extension (esp. as one of the three dimensions of a body, opposed to longitude and latitude); = DEPTH n. 1a. Obs. 2. a. Great wisdom or knowledge; acuteness of insight. Also: an insightful observation or idea. b. In pl. Matters requiring great knowledge or wisdom to be understood; the essential truths, mysteries, or problems of a particular field of knowledge. 3. Great depth or extent of a state, quality, or emotion; intensity.
Wow, so much for a word I thought about on the way to work. Friendship is profound and I do think that people have those "great depths" should they choose to delve into them and explore them fully. Sometimes you choose to embrace the depths of a relationship and sometimes you don't.
In thinking this, the word "profundity" came into my mind for no apparent reason. I certainly don't think of myself as profound, rather just an ordinary person. But then I realized that people aren't ordinary, each is capable of being interesting and of teaching you something about the world and about yourself. And that is when I thought of the word "profound". Each person in the world can simply be described as "profound".
According to the Oxford English Dictionary, the word, profundity, is a noun meaning, "1. a. The quality of being deep; great or vast depth. b. A very deep place, an abyss; the deepest part or parts of something. Also fig. Now rare.
Wow, so much for a word I thought about on the way to work. Friendship is profound and I do think that people have those "great depths" should they choose to delve into them and explore them fully. Sometimes you choose to embrace the depths of a relationship and sometimes you don't.
Friday, May 15, 2009
Rosalind

Rosalind Dearborn Northrop Armstrong was my grandmother. She was born in San Antonio, Texas on September 6, 1895. She was the youngest of three although my great grandmother is supposed to have had 1 or 2 others. (Nothing is clear in family mysteries.) She lived in San Antonio and California most of her life though she traveled between them a great deal and told me she went to Illinois a few times. Of all the people in my family, I feel closest to her, and I think I take after her to a degree. I admire her a great deal because of her spirit and her independence.
When she was small, her mother, Sarah Short Dearborn, gave her away to a client who wanted a baby. I used to think this was pretty horrible but in truth after doing a little research found it to be quite common. Sarah was a dressmaker and had been left with her children by her husband - a railroad man. She had two older living children, May and Homer and I think just couldn't afford another mouth to feed. The clients name was Jennie Van Houten Northrop - called Mem-mee by my grandmother. I found record of Mem-mee and her adopted daughter Rosalind M. in the census for Bexar County. She named my mother after Jennie. She kept in contact with both of her siblings even though she hadn't grown up with them. I knew my Great Aunt May who lived most of her life int the Texas Hill Country.
My grandmother told me she quit school when she got to the 6th grade and went to work at Joske's, a very posh department store downtown. It was there when I first moved to San Antonio but I think it has gone away. She told me that she was a hostess in their tea room and they let her arrange flowers because she had nice hands. I don't know how she met my grandfather Harry, if she told me I've forgotten. I did find out that she married him when she was 16 and I think they married in El Paso, Texas. He served in the Philippines and was older than her by a few years. Eventually they moved back to San Antonio.
I have two pictures of her about the time they married. On the back of one Harry wrote on the back - "My sweet wife".
Monday, May 11, 2009
Mornings lost
I found my old digital which while I really like has some problems. For one thing, I have to dig out this really old laptop to transfer the pictures. I have to admit, basically I'm a Luddite though I have gotten much better the older I've gotten. I need to get a cable for the camera so I can connect with my somewhat newer Laptop a friend gave me. (Thinking about it the camera was from the same person). I don't think I've ever bought myself any technological advancement - I basically inherit them from others. Machines are a bit off putting to me. Earlier this year I discovered the whole Steampunk phenomenon which i think I could accept wholeheartedly. Perhaps that is my problem... I belong to a culture that embraces the new in a fantastic way.
Anyway, amongst the photos I took of this year's Steameroller event I went to, I found this picture from earlier this year. A memento of a morning that I thought lost and is now found. It was sometime this year, and when it was chilly.
Wednesday, May 6, 2009
Virgin of Guadalupe
Living in the Southwest one encounters the Virgin of Guadalupe pretty much everywhere. It makes perfect sense since she is from Mexico and her story is so very beautiful. You find her in all sorts of places and times.
When I was in Santa Fe a couple of years ago I visited a large
cemetery called the Santa Rita Cemetery where I found this lovely inlaid marker marker. I apologise to whomever it belongs to but it was so very striking. It so fits in with the character of this New Mexico town.
A couple of years ago a friend of mine asked me to paint a retablo for a exhibit in a the museum at which he worked. The museum is the D
Guadalupe shows up in a wide variety of places. You see her on t-shirts, refrigerator magnets, and buttons.
Friday, May 1, 2009
Accidents
Sometimes a mistake can wind up looking better than what you planned. I bought a calla lily to paint and then never got around to painting it. It looked lost and forlorn and then started to die. Rather than throw it away, I decided to take a photo of it. Pulling out my incredibly old digital camera that my friend Hal gave me, I took a shot only to discover the flash hadn't gone off. But I really like the way the picture came out. Very faded and grainy. It looked somehow older and more atmospheric that if the flash had gone off. I think sometimes things you don't plan work out better than the planned action - there's a spontaneity that you miss if you are too exact.
My former Watercolor instructor, William Kolbe, often based his paintings on accidents (though he really didn't say they were). He called them treatments or experiments. He'd lay some color down in a wash and cover it with plastic or wax paper and then develop the paintings from that. It made the painting more alive in many ways. I still do that when I paint. It does make the backgrounds more interesting. Terri, my printmaking instructor often says that in printmaking you accept the flaws on the plates or the chip in woodblock, because it adds character and depth. I think that's probably true in real life as well. It's how you respond to the accident and incorporate it is how well you do in life.
My grandmother was a believer in unplanned activities or accidents. She'd get in her car and just drive, finding something of value every time she looked. Going along a familiar path, she'd take a left turn instead of a right one and find a wonderfully charming house or a cemetery that someone she knew was buried in and had forgotten about. She'd make a normal drive to the post office an adventure and I loved going with her but her daughters fretted especially when she was older and her driving had deteriorated. I to think that I am similar to her in this. Certainly I've had a great deal of 'accidents' that turn out better because I accepted them in a spirit of adventure.
My former Watercolor instructor, William Kolbe, often based his paintings on accidents (though he really didn't say they were). He called them treatments or experiments. He'd lay some color down in a wash and cover it with plastic or wax paper and then develop the paintings from that. It made the painting more alive in many ways. I still do that when I paint. It does make the backgrounds more interesting. Terri, my printmaking instructor often says that in printmaking you accept the flaws on the plates or the chip in woodblock, because it adds character and depth. I think that's probably true in real life as well. It's how you respond to the accident and incorporate it is how well you do in life.
My grandmother was a believer in unplanned activities or accidents. She'd get in her car and just drive, finding something of value every time she looked. Going along a familiar path, she'd take a left turn instead of a right one and find a wonderfully charming house or a cemetery that someone she knew was buried in and had forgotten about. She'd make a normal drive to the post office an adventure and I loved going with her but her daughters fretted especially when she was older and her driving had deteriorated. I to think that I am similar to her in this. Certainly I've had a great deal of 'accidents' that turn out better because I accepted them in a spirit of adventure.
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